Tine wants to find her dream boyfriend, but can't find him that easily. Her male best friend enjoys his single life, until they feel attracted to each other.

An industrial exploiter, an old knife thrower, a cynical professor, and an ungrateful husband depict the selfishness and superficiality of the male gender.

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Meeting on a Saturday morning to drink champagne, the friends embark on a new journey through the depths of the male subconscious. What are the men talking about this time? Of course, about the personal. Lyosha is trying to understand whether "female friendship" exists, Kamil discusses whether it is possible to fire his best friend, Lovelace Slava recalls his first love (or was it not his?), and Sasha reflects on the loss of his father and the need to enjoy life here and now. And yet, walking around the center of Moscow, friends discuss how to screw in a light bulb so that she is satisfied, and what candid photos scream about on social networks, and what is chevapchichi.

Liz has missed an appointment to have an abortion. She has to keep her child, and neither her boyfriend Geoff nor child's father Neil are too happy about it. She can not decide which partner is better for her, and Neil makes a proposal to her when they attend the wedding of her best friend Prue and Mike. She probably prefers Geoff, but he is preoccupied with his girlfriend Bryony, who returned from abroad. Another friend, Ant, has written a script for documentary film, which is directed by a German and in which topless women, well, talk about their lives.

Sasha Larionov, is in the eighth grade and still doesn't know that his mother has left the family. Sasha's father, a decent and very honest person, was used to telling people only the truth. But here he doesn't now how to tell his son that the mother left them for another man and therefore explains her long absence from a long business trip. However, soon Sasha finds out the truth and decides to go after his mom, hoping to get her back

A television host tries to react to the process of alienation that the public is subjected to from variety shows.

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Ken Loach's censored production for the Central Office of Information.

A team of rescue workers do what they can in the desperate situation left by an earthquake in the Kyrgyz mountains.